OVERVIEW
Electronics, synthesizers, computers and digital recording have
all made an enormous impact on music composition, performance
and recording. Despite these advances, the process of becoming
an accomplished musician - especially one trained in the theory
and complex language of music - has remained essentially the same
for centuries. This consists of many years of constant practice
of physical patterns in conjunction with the study of diverse
approaches to music theory. Most people with the innate potential
to express themselves musically are prevented from doing so when
faced with such a difficult path. Hotz technology addresses this
problem in an elegant and empowering way that enables anyone,
regardless of musical experience, to play music on a level that
is fundamentally not possible without Translator technology.
TRANSLATOR-BASED
PRODUCTS ENABLE ANYBODY TO PLAY MUSIC
Translator-based products enable everyone, including musically
untrained people, to creatively play along with music on virtually
any medium -- audio CDs, MIDI music files, video, DVD and TV broadcasts.
To enable the experience, a Hotz -file, which is a MIDI*-compatible
data file encoded with Hotz-code, is created for a song.
This file can be a completely self contained musical piece, as
in a MIDI file; used with music on media entirely separate from
the file, such as a standard off-the-shelf audio CD; or broadcast
along with a TV signal.
Created with the Hotz
Translator for Windows, a Hotz-file contains information that
translates all of the correct notes of the current chord and scale
(musical "structure") for the musical piece being played
into rows on the playing surface. The "instrument" can
be the computer's keyboard and mouse, or an electronic keyboard
or other type of MIDI instrument connected to the computer through
its MIDI port (the joystick port on the sound card). In real time,
as the musical key, scales and chords change so does the translation
of the playing surface. The end result is that players have all
the creative choices they would have with a conventional musical
instrument they practiced for years, but without fear of choosing
a "wrong," or out-of-key note. By this simple and elegant
process, Hotz Translator technology reduces years of practice
and study needed to experience creative music improvisation and
performance. Moreover, it allows musicians who have played all
their lives to perform music at a level that is impossible on
a conventional instrument.
CONTAINS
THE LARGEST DATABASE OF MUSICAL STRUCTURES
The Hotz Translator contains the largest database of musical structures
(chords and scales) available anywhere in a single reference,
with all structures playable using the simplest of finger and
hand gestures. The accumulated expert knowledge base of musical
structures from around the world, developed over thousands of
years, is embodied in the application. Moreover, it contains many
unique structures that have not been previously classified. It
is inconceivable that a human without computer assistance could
memorize or mentally access a musical database even remotely this
advanced, let alone have the training and dexterity to flawlessly
perform all of these structures. The Translator's open and extensible
database of more than one trillion chord/scale voicings includes
culturally cross-referenced arrangements from around the world.
Many of the new and unique structures playable on a Hotz Translator
instrument are physically impossible to play on conventional instruments.
Songs of any style
and ethnic origin can have Hotz-files created to translate the
playing surface to the chord/scale structures as the song plays.
Through a computer sound card, the sound produced can be that
of virtually any instrument in the world. It is important to note
that the cost of creating Hotz-coded files for music-CDs is quite
low. The level of development effort is typically less than one
person-day per music track for a trained music technician, depending
on the length and musical complexity.
Expansion
of notes for an F suspended 4th chord on a standard 6-octave keyboard.

For example, the upper part of this illustration shows the expansion
of notes for an F suspended 4th chord on a standard 6-octave keyboard.
The lower part shows the full expansion of notes for the same
6 octaves of the same chord on a Hotz translated Instrument. On
both instruments, all possible voicings of the chord are available.
SOLVES CHANGES FROM ONE MUSICAL STRUCTURE TO
ANOTHER
A critical element of Translator technology is the way in which
it solves the problem of changes from one structure to another
while the keyboard is played. This crucial process makes it possible
to change a table while still sounding notes that the player is
sustaining from the previous table. The result is indistinguishable
from what a musician does when changing from one chord or scale
to another by changing fingering patterns on a conventional musical
instrument, such as a guitar or piano.
Prior attempts to change
note mapping tables in real-time sound choppy and toy-like because
all notes from the previous table have to be turned off when the
change takes place. The Hotz Corporation's broad patent protection
includes the fundamental Translation process, which separates
Translator-based products from toy-like musical devices. Any musical
instrument that aims to provide users with similar music performance
features would have to incorporate this core technology to deliver
realistic improvisational control.
The Hotz coding process
automates the structure/table changes without requiring the user
to do anything but concentrate on playing music. Thus the user
can focus completely on which notes of a particular chord or scale
should be played and for how long, which is the very essence of
music performance. Structure changes can be under pre-encoded
software control, or made by the player as a real-time composer.
For those who have never played, the result is real improvisational
ability impossible without decades of study and practice. And
for those who have played for years, the result is the ability
to perform at levels that are simply not possible using conventional
instruments.